An engineer recommended LG's Evo OLED monitors, specifically the 42-inch C4 model, as a cost-effective solution for multiview and critical evaluation, citing minimal off-axis contrast loss and...

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    "summary": "An engineer recommended LG's Evo OLED monitors, specifically the 42-inch C4 model, as a cost-effective solution for multiview and critical evaluation, citing minimal off-axis contrast loss and good calibration retention.",
    "category": "Professional Monitors",
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      {
        "url": "https://www.reddit.com/r/VIDEOENGINEERING/comments/1whvq5i/comment/pa5nb0b/",
        "depth": 0,
        "score": 27,
        "author": "mls1968",
        "excerpt": "Scopes",
        "posted_at": "2026-09-16T13:09:45.000Z",
        "author_url": "https://www.reddit.com/user/mls1968/"
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      {
        "url": "https://www.reddit.com/r/VIDEOENGINEERING/comments/1whvq5i/comment/pa5q7yv/",
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        "author": "joelwsmith",
        "excerpt": "I design and install broadcast systems and never consider color accuracy for multiviews - at least not for shading and critical image analysis. I first require a proper set of scopes and then a properly calibrated shading monitor that are both fed from some form of source routing. For PTZ operator positions, I usually also spec a quality production monitor that is only intended for the operator an",
        "posted_at": "2026-09-16T13:23:43.000Z",
        "author_url": "https://www.reddit.com/user/joelwsmith/"
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        "author": "texabyte",
        "excerpt": "The Asus Proart line is solid. They make a 32\" OLED that I've found to be about on par with macbook and ipad screens(what most content is views on these days)",
        "posted_at": "2026-09-16T15:48:48.000Z",
        "author_url": "https://www.reddit.com/user/texabyte/"
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        "author": "Some-Pride-3477",
        "excerpt": "People are throwing out brands and models, but at the end of the day you can have a $30k Sony BVM reference monitor and it's not going to guarantee accuracy unless you have a probe, software and perform a calibration.",
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        "author": "lostinthought15",
        "excerpt": "Sony BVM series.",
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        "url": "https://www.reddit.com/r/VIDEOENGINEERING/comments/1whvq5i/comment/pa7297m/",
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        "author": "Run-And_Gun",
        "excerpt": "Not that big, but I do a lot of small multi-cam network remi shows(3-4 cam desk shows) and I started using a smallHD Ultra 10, which comes from smallHD calibrated (actually had the calman ISF printouts/reports with it), and a Decimator dmon quad, to make sure that we are as close to matching as possible, under the circumstances(ENG cams). Especially considering that the control rooms that we go th",
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        "author": "Maleficent-Row-4853",
        "excerpt": "Not practical in some situations (fly pack not recommended), but, as Camera Shader/PTZ operator/Engineer I use LG Evo OLEDs, 42\" C4s for multi view and critical evaluation. Minimal off axis contrast loss and they hold calibration well. Absolutely agree that scopes are crucial. We got the monitors for $800 plus AJA SDI<>HDMI mini converters for $200 so only $1000 per set up, I have them side by sid",
        "posted_at": "2026-09-18T19:35:30.000Z",
        "author_url": "https://www.reddit.com/user/Maleficent-Row-4853/"
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        "url": "https://www.reddit.com/r/VIDEOENGINEERING/comments/1whvq5i/comment/pas9tcm/",
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        "author": "thenimms",
        "excerpt": "You don't adjust camera settings by eye. You use a scope. And if you have the budget, you loop the output of that scope to a Class A monitor like a Sony PVM or BVM or a Flanders Scientific.\n\n You route cameras one at a time to this set up to adjust and bounce back and forth quickly to ensure they match.\n\n The multi view is then used purely for framing.",
        "posted_at": "2026-09-19T15:38:29.000Z",
        "author_url": "https://www.reddit.com/user/thenimms/"
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    "post_date": "2026-09-16T12:23:31.000Z",
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    "post_text": "Hello video heads.What monitors do you use for multiview in multi camera gigs? I work as a video technician in company and often operate PTZ cameras and our current monitors, Samsung Odyssey, are ok but it’s hard to match camera settings when the position of the camera on the multiview affects how colours look like where I sit. I’m open to suggestion on better monitors that would work in video workstations. Size preference 32”.\n\nEDIT: Thanks for the replies! I’ve been on the Audio side of AV for too long and forgot the scopes. I’ll add add scopes to the system and maybe loop through to some of your suggested monitor",
    "sentiment": "positive",
    "subreddit": "VIDEOENGINEERING",
    "event_date": "2026-09",
    "post_title": "Color accurate monitor screens for multiview",
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    "comments_total": 23,
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    "products_mentioned": [
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